back on the street

 One of the first notions to pursue the ETO at all was a participation in street theate activities as a student - at the time politically engaged it was a format that seemed viable and pertinent... still is, but now on a very reduced, even 'unnoticed' scale - 

to wit

operation (Chien Brun Brussels)

this wrap-up of defuct archive material (from performances way back - remnants, slightly documentary but not really essential... in how far does an object (remnant) carry significance in the history of a piece... or add to the understanding of it?

a question still to be considered